Multipartyism and Nostalgia for the Unified Past: Discourses of Democracy in a Dance Association in Cameroon

Peer Reviewed


Language and practices associated with democracy and multipartyism are used by practitioners of the gurna society among the Tupuri of northern Cameroon to comment on local changes in gurna dances and their attending social values. At the heart of this commentary is a widely-shared anxiety about moral standards for political action and the threat of factionalism, as well as nostalgia for unity among dancers and in society at large. This appropriation of anational level lexicon enabled practitioners of an ostensibly “traditional” institution to revitalize their practice and comment on the broader political life of the nation.

Related Works

Agovi, Kofi. (1995). "The King Is Not above Insult: The Politics of Good Governance in Nzema avudwene Festival Songs." In Power, Marginality and African Oral Literature. Graham Furniss and Liz Gunner, eds. Pp.47–61. Cambridge: Cambridge University Press.

Apter, Andrew. (1998). "Discourse and its Disclosures: Yoruba Women and the Sanctity of Abuse." Africa 68 (1): 68–97.

Hanson, Paul. (2007). "Governmentality, Language Ideology, and the Production of Needs in Malagasy Conservation and Development." Cultural Anthropology (2): 244-284.

Ignatowski, Claire. (2004). Journey of Song: Public Life And Morality in Cameroon. Bloomington: Indiana University Press.

Post a Comment

Please log in or register to comment