Contributing Editor
Andrés Romero is a PhD candidate at Wayne State University. His research explores questions of violence, place, memory, images and imagination, and selfhood in Bogotá, Colombia.
Posts by This Author
Bodies at War: Introduction
The plane’s menacing blades take hold of the corner of the frame. The green from above turns into unpaved-road beige, then to concrete gray as the plane lands. ... More
Bodies at War
We welcome you to the 2020 return of the Screening Room film series. We begin our series with Emily Cohen's film Bodies at War (2015). The film centers on the l... More
Survivors
An aerial view descends into the city as floating trash blur the boundaries where water turns to housing settlements. The camera follows an ambulance through th... More
Media, Images, and the Expressive Arts at AAA/CASCA 2019
The American Anthropology Association and the Canadian Anthropology Society will co-host their yearly national conference in Vancouver, Canada, from November 20... More
Con-text-ure
We welcome you to Con-text-ure, a series on experimental media and writing. The word Con-text-ure is borrowed from the book Culture/Contexture: Explorations in ... More
The Possibility of Spirits
A barely perceptible breeze brushes through quivering feathers adorning a statue. For a fleeting moment, one has the sensation that the statue has come alive. V... More
Ghosts and Numbers
We welcome you to the newest iteration of The Screening Room film series!For our inaugural film we have selected Alan Klima's Ghosts and Numbers, a film that ma... More
The Screening Room
We welcome you to the re-launching of the Society for Cultural Anthropology’s film series, The Screening Room. In this new incarnation, we have curated a set of... More
Book Forum: Guerrilla Marketing
In the wake of Colombia's peace process after the longest civil war in the Western Hemisphere, somewhere in that "liminal space that is not quite war nor peace"... More
The Spiraling Image
The value of an image is measured by the extent of its imaginary aura.—Gaston Bachelard Through diary-like inscriptions and photographs, mostly of his distant e... More
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