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Some bodies run toward loud noises. Others flee from such sounds, running away as fast as they can. Rosa Hannah Ziegler’s Familienleben (2018) incites attentio... More
In I Swear I Saw This, Michael Taussig (2011) chronicles his travels in Colombia through his mostly colorless drawings. He writes that he is “not much of a dr... More
Sander Hölsgens: What brought you to Mauritius, and how did you familiarize yourself with Muslim devotional practices? Patrick Eisenlohr: Mauritius is a most fa... More
Sound precedes most imagery and all meaning: it causes trajectories and orientations to rebound, as though its resonance and timbre mark affective and atmosph... More
The world appears tranquil at its edges. There, on the radiating borders between this and that, there’s a slight fog, or the thinnest of desert dust: almost f... More
Sander Holsgens: “Golden Snail Opera” is visceral, affective, textural. You call it a more-than human performance. This ecological interest opens up to a layere... More