This post builds on the research article “Material Interventions: Indonesian DIY Fashion and the Regime of the Global Brand,” which was published in the February 2013 issue of the Society’s peer-reviewed journal, Cultural Anthropology.
Editorial Footnotes
Cultural Anthropology has published a number of articles on labor dynamics in neoliberal contexts, including Alexander Dent's "Piracy, Circulatory Legitimacy, and Neoliberal Subjectivity in Brazil" (2012), Andrea Muelebach's "On Affective Labor in Post-Fordist Italy" (2011), Ahmed Kanna's "Flexible Citizenship in Dubai: Neoliberal Subjectivity in the Emerging “City-Corporation” (2010).
Cultural Anthropology has also published articles on Indonesia. See for example, Brent Luvaas's "Dislocating Sounds: The Deterritorialization of Indonesian Indie Pop" (2009), Karen Strassler's “The Face of Money: Currency, Crisis, and Remediation in Post-Suharto Indonesia” (2009), Nil Bubandt's “From the Enemy's Point of View: Violence, Empathy, and the Ethnography of Fakes” (2009), and Kenneth George's "Ethics, Iconoclasm, and Qur'anic Art in Indonesia" (2009).
Links
Unkl347
Anonim Wardrobe's Facebook page
Indonesian Independent Clothing Association's Twitter
Kreative Independent Clothing Kommunity's (KICK) Twitter
Red and White Magz, a Facebook page/online magazine promoting various Indonesian DIY and indie brands
The Goods Dept website, a Jakarta store promoting upmarket independent brands
White Board Journal, a Jakarta website that features frequent articles on indie/DIY fashion
Additional Reading
Luvaas, Brent (2012) DIY Style: Fashion, Music, and Global Digital Cultures. London and New York: Berg Publishers.
Luvaas, Brent (2010) "Designer Vandalism: Indonesian Indie Fashion and the Cultural Practice of Cut 'n' Paste," in Visual Anthropology Review 26(1): 1-16.
Uttu (2006) "Distro: Independent Fashion Moves from Margins to Mainstream," in Inside Indonesia Jan-March 2006.
Wallach, Jeremy (2003) "'Goodbye My Blind Majesty': Music, Language, and Politics in the Indonesian Underground," in Global Pop, Local Language, Harris M. Berger and Michael Thomas Carroll, eds. Jackson: University of Mississippi Press: 53-86.