Studying Unformed Objects

Photo by Carmen Jost, licensed under CC BY NC SA.

. . . it is not enough for us to open our eyes, to pay attention, to be aware, for new objects suddenly to light up and emerge out of the ground.

—Michel Foucault

In July’s Field Notes series, four authors reflect on their experiences carrying out ethnographies of not-quite-formed objects, or in other words, on the joint taking-shape of their subjects and projects.

As a prompt, we put two questions in conversation:

  1. How does an ethnographic project’s focus take shape (be it in contemplative stages, pilot work, during grantwriting, in the midst of fieldwork, or in reflection and writing)?
  2. What does it look like to conduct ethnographies of people’s efforts, successful or not, to pull together certain issues or problems as a cohesive topic for scientific investigation and public action?

In short, what does it look and feel like to study the “coming into being” (see Daston 2000) of objects, be they scientific, medical, or other, or to study the failures to quite do so?

As a graduate student attempting to undertake a project that specifically took into account competing efforts of residents, activists, and government scientists to negotiate and define what it was they were trying to study, measure, and address through environmental risk assessment, it struck me that defining my own question and object of study needed a certain unfinished openness and fluidity to be attentive to this unfinished work that I was tracking.

I am happy to have the opportunity to host this conversation with several experienced scholars to reflect together on the different ways our projects, whether ethnographic, historical, or otherwise, take shape.

References

Daston, Lorraine. 2000. "Introduction: The Coming into Being of Scientific Objects." In Biographies of Scientific Objects, edited by Lorraine Daston, 1–14. Chicago: University of Chicago Press.

Posts in This Series

Studying Unformed Objects: The Provocation of a Compositional Mode

Studying Unformed Objects: The Provocation of a Compositional Mode

A real is a tangle of elements thrown together in a radical composition. In nonrepresentational theory and new materialism, objects are lines of action and mood... More

Studying Unformed Objects: Translation

Studying Unformed Objects: Translation

If you're studying how scientists and residents try to define the problem to be studied and addressed, then how do you define your own object of study—or what y... More

Studying Unformed Objects: Deviation

Studying Unformed Objects: Deviation

How to stalk the unformed object? In the 1990s and often under the influence of actor-network theory, early technoscience studies often told stories in which hi... More

Studying Unformed Objects: Integration

Studying Unformed Objects: Integration

In the final post of this series, I begin by circling back through the rich questions that prompted this conversation: how do we define the objects of our study... More