Established circa 2010, the Karrabing Film Collective are an Indigenous media group who use filmmaking to interrogate the conditions of inequality for Aboriginal people in the Northern Territory and retain connections to land and their ancestors. They have sought to create a model for Indigenous filmmaking and activism, by bringing together different tribes and languages, conceiving works through an infrastructure of communal thinking and experimentation, and seamlessly blending fiction and documentary traditions. They approach filmmaking as a mode of self-organization and a means of investigating contemporary social conditions of inequality. Through the collective’s inventive artistic language, their work challenges historical and contemporary structures of settler power. The films represent their lives and through the process create bonds with their land while intervening in global images of Indigeneity. In the Emmiyengal Indigenous language, Karrabing means ‘tide out’. It refers to a time of coming together, as well as to the coastline that connects the Karrabing Film Collective as an extended family group across social lines. Their films and installations have been exhibited at Contour Biennale, Mechelen, Belgium; Berlinale Forum Expanded; MoMA-PS1; Tate Modern, London; Pompidou Paris; Hallucinations, documenta 14, Athens; Sydney Biennale; Vargus Museum, Manilla; Times Museum, Guangzhou; the Gwangju Biennale; Winzavod Contemporary Art Center, Moscow; Jakarta Biennale; e-flux supercommunity at the Venice Biennale; Doc’s Kingdom, Lisbon; and Wexner Center for the Arts, Columbus, Ohio, among many others.