Narges Bajoghli’s Iran Reframed: Anxieties of Power in the Islamic Republic (2019) is an extraordinary achievement that illustrates the relation between contemporary statecraft and media production. Bajoghli deftly weaves a polyvocal ethnography that showcases the many conflicting subject-positions that are found within Iran’s “pro-regime” spectrum. She illustrates how regime officials and media producers collectively navigate the challenges of both “immense international pressure and domestic criticism” (22). Iran Reframed tells the story of the Islamic Republic’s media producers as they struggle to remain relevant. By conjuring a unifying nationalist tale that caters to younger generations who did not live through the 1979 Islamic Revolution, Bajoghli demonstrates how state media producers attempt to uphold the regime. Through Bajoghli’s engagements with the regime’s media producers, we come to learn how they dissimulate their role in state media productions by attempting to go “underground” (91); how they disseminate media narratives through a range of platforms (e.g., popular music streams, informal street vendor markets, museums); and how they shift the regime’s narrative from one of Islamic revolution to one of “populist nationalism” (102). This book forum brings together four scholars to think with and celebrate Iran Reframed.